Book Review: Victoria Walters, Joseph Beuys and the Celtic Wor(l)d: A Language of HealingWaltersVictoria, Joseph Beuys and the Celtic Wor(l)d: A Language of Healing. Vienna: LIT Verlag, 2013. 416 pp. ISBN 978 3 643 90105 7.
Book Review: Tristan Garcia, Form and Object: A Treaty of ThingsGarciaTristan, Form and Object: A Treaty of Things, trans. CogburnJonOhmMark Allan. Edinburgh: Edinburgh University Press, 2014. ISBN 978 0748681495 (hbk), 978 0748681501 (pbk).
Book Review: Sean Cubitt, The Practice of Light: A Genealogy of Visual Technologies from Prints to PixelsCubittSean, The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. Cambridge, MA: MIT Press, 2014. 354 pp. ISBN 978 0 262 02765 6.
Book Review: Kris Paulsen, Here/There: Telepresence, Touch, and Art at the InterfacePaulsenKris, Here/There: Telepresence, Touch, and Art at the Interface. Cambridge, MA: MIT Press, 2017. 250 pp. ISBN 978 0 262 03572 9.
Book Review: Joanna Rajkowska, Where the Beast Is BuriedRajkowskaJoanna, Where the Beast Is Buried. Winchester: Zero Books, 2013. 303 pp., c. 30 b/w images. ISBN 978 1 78279 122 5\\pounds14.99.
Book Review: Hans Belting, Face and Mask: A Double HistoryBeltingHans, Face and Mask: A Double History. Princeton, NJ: Princeton University Press, 2017. 270 pp. ISBN 978 0691162355.
Book Review: Giuliana Bruno, Surface: Matters of Aesthetics, Materiality, and MediaBrunoGiuliana, Surface: Matters of Aesthetics, Materiality, and Media. Chicago: University of Chicago Press, 2014. 288 pp. ISBN 978 0226104942.
Book Review: Georges Didi-Huberman, The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of ArtDidi-HubermanGeorges, The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art (trans. MendelsohnHarvey). University Park: Pennsylvania State University Press, 2017. 414 pp. ISBN 978 0 271072081.
